New Management Group Workshop Clown Apeiron
Theatre announces the start of the new group Stage Management Workshop, Module I. "Designing the game Taught by: Fernando Martinez Monroy . To: - acting and directing students in recent years and graduate degrees in theater.
- Professionals interested in the reflection stage and practice about the art of theater and director.
- Students and film professionals.
Duration: 15 weekly sessions of three hours each.
Hours: Sundays 12 to 15 hours, from 20 DeMarzo, 2011.
Cost: $ 2,400.00 .
Reports on: info@apeironteatro.org or 55 74 14 18 or 044 55 15 83 78 39 with Oscar Flores.
The course will be held on: "THEATER APEIRON HEADQUARTERS, Monterrey 319, Col. Roma Sur,
(Entre Av Baja California and Tepic. Chilpancingo Metro and Central Doctor. Bus Chilpancingo.)
Workshop divided into 5 modules of four months each, with a weekly session of three hours, totaling 225 hours. Sessions
theoretical-practical which will distinguish the elements of body systems known as staging, your organization efficient and practical resolution through the montage of scenes and works
This workshop aims to realize the theory in the practice stage from the study of the staging as a body made up of systems and elements to be studied individually and orchestrated and harmonized in the practice of editing.
Goals: Turning theory into artistic experience through practical application of a number of fundamental concepts of stage direction.
The student will recognize the need to establish a definite point of view as key to the development of artistic practice of stage direction through the acquisition of theoretical analysis tools aesthetic.
FIRST MODULE: Specific objectives: The student will differentiate their expressive needs, subject matter, structure and all elements involved in the design of a text.
The student will distinguish the organ systems in the staging.
The student will distinguish the essential elements of drama how to code and the beginning of the Theatre.
The student will distinguish the practice of analysis in action, character, tone, rhythm, intensity, track, dialectical structure and conflict to make the staging of a dramatic piece from the point made by the author through the montage of scenes of a classic.
Students draw from the script, a score of action for working with actors.
Agenda Contents
proposed minimum 1. DRAMATIC THEORY
1.1. THE CONCEPTION OF THE WORLD
1.1.1. Universal conception of the world (ethics)
1.1.2. Particular conception of the world (The Moral)
1.1.3. Particular conception of the theater (The History)
1.1.4. The universal design of the theater (Towards a Theory of Drama)
1.1.5. The concept as a mechanism capable of being recognized in the structure of drama. The conception of the world as a criterion:
1.1.5.1.
Selection 1.1.5.2. Synthesis
1.1.5.3. Structuring
1.2. DRAMA AND THEATRE
1.2.1. Definition of drama (Construction Tone)
1.2.2. The theater
1.3. STYLE
1.3.1. The historical dimension of style:
current 1.3.2. Different perspectives for staging
1.3.3. Updated style of a classic text
2. DRAMATIC THEORY APPLIED MANAGEMENT PRINCIPLES
SCENIC 2.1. TEXT ANALYSIS OF FOCUS FOR ACTION AND THE CHARACTER CHARACTER DRAMA
2.1.1. The other elements of tone:
2.1.1.1. Implicit
2.1.1.1.1. Rhythm and
2.1.1.1.2. 2.1.1.2
intensity. 2.1.1.2.1
explicit. 2.1.1.2.2
space. 2.1.1.2.3
scenery. 2.1.1.2.4
sound aspects. Visual aspects
2.1.1.2.5. Costume
2.1.1.2.6.
Utility 2.1.2. Minimal analysis of the action: the score of actions
2.2. SETTING THE SCENE.
2.2.1. Spatial organization.
2.2.2. Action and style stylistic multiplicity and diversity of structure and stage dramatic text.
2.3. CONCLUSION: The stage direction HARMONIZATION PROCESS AS TONAL AND JOINT ACTION STYLISTIC dramatic scene.
Fernando Martinez Monroy. a BA in Dramatic Literature and Theater by the National Autonomous University of Mexico, a Ph.D. candidate in Philology from the Complutense University of Madrid. Fellow "Salvador Novo" of the Mexican Center of Writers in the Field of Drama for two consecutive periods (1986-1987), (1987-1988). He received the National Fine Arts Fellowship, National Institute of Fine Arts, also in the area of \u200b\u200bdrama, (1989-1990).
was Associate Professor at the Department of Luisa Josefina Hernández since 1987, the Faculty of Philosophy and Letters, National Autonomous University of Mexico who replaced in the subjects: "Drama Theory" and "Dramatic Writing Workshop," in BA in Dramatic Literature and Theater / UNAM. He is also Professor at the National School of Dramatic Arts National Institute of Fine Arts and the Centro Universitario de Teatro (CUT)
has been Coordinator of the National Center for Documentation of Research, documentation and information "Rodolfo Usigli (CITRU).
has worked as a television writer, theater critic in newspapers and magazines (The Economist, Scenic Mail, Saturday and Culture Paso Unomásuno and cat) has given courses and lectures on "Theory dramatic," has published prefaces, essays as well as theater, in anthologies and magazine Tramoya. Founder and director
Apeiron Theatre Company (1997). Since March 1997, is director of the Permanent Seminar of Theory of Drama Apeiron Theatre Company. Has the work of dramaturgy and dramatic guidance for directors as Ludwik Margules, Martín Acosta, Ignacio Escarcega, Alejandro Velis, Claudia Rios, Miguel Flores and Raquel Araujo. Author and director
names ambition, (2000); ... and dwelt among us, (2001) concert stage for tubular bells, church bell, organ, piano, two actors and an actress. Original Music and Musical Director: Rafael Rivera. Five monologues and Route (2004) with which, Pilar Villanueva won the award for best actress for APT and AMCT. Murdered by her work life: Frida, was released in February 2008 in Tampico, Tamaulipas, took second place as "best work" in the free category State Theatre Competition "Rafael Solana" 2008, she received the Sandra Muñoz the "best actress". In the month of May, "Murdered by the life Frida" was released in the city of Holguin, Cuba, during the "May Festival." His work Animas. Ghost Masquerade, was released in October 2008 in the Museo del Carmen. He is founder and director of the electronic journal Apeiron Magazine
As stage director has done: Electra, by Sophocles (2000), Via Dolorosa by David Hare (2000) was Director of The Little Theatre of pocket, (2002) integrated project by students in playwriting, acting and direction FFyL / UNAM, CUT and ENAT. He has directed, Luisa Josefina Hernández: Certain things are figurations, (Certain things and figurations, 2003), The Secret Friend (2005), The King's daughter (2005) and Equinox (2008); The strongest and the weakest. Two chronic delusions (show consists of texts of Strindberg and Chekhov) (2009). It has also been in charge during 2007-2008 Workshop V staging in Theatre Arts degree from the Faculty of Humanities UAEM for which directed the staging of Molière's The Misanthrope, released in September 2008. In 2009 he directed The treasure that no one has seen but everyone longs, Jorge A. Caballero. In 2010, he led the improvisational solo show alone ... and temperate zone, Luisa Josefina Hernández. You are currently runs Pancho Villa, Alberto Ruiz, of the upcoming in June 2011 in The Cave of the Hellenic Cultural Center.
