Friday, December 17, 2010

Extreme Cold Weather Socks



IMPROVISATION WORKSHOPS
TAUGHT BY:
PILAR VILLANUEVA.

Impro for beginners.
"It is not fleeting, but it lived."


The Impro: a series of techniques that consider improvisation as an end product in itself, an artistic result. The principle: The acceptance of own and others' proposals. The Goal: develop imagination, creativity, trust, and playful attitude.
Objective: Recognize personal capacity to listen and accept proposals of their own and others, and with them build makeshift stage exercises, thereby developing creativity and playful attitude.
Target audience: General public
Duration: 15 sessions of 3 hours.
Cost: $ 2,400.00
Hours: Saturday from 9:00 to 12:00 hrs.
Home: January 22

Contents:
* Perception, listening and acceptance of proposals
* The creative imagination and confidence
* Decision

* Action * Drama
elemental structure * Building fiction in improvisation exercises
* improvisation
* general styles

Improvisation Impro second level.
"Structure, play and learn."

The second level course is a way to broaden the knowledge of the art of improvisation deeply into the structures of improvised drama, style, plot, time management and play with language.

To: general public, students, actors, writers, musicians and dancers with previous experience in improvised technique.
Objective: Designing long improvisations based on the knowledge and handling of dramatic elements such as structure, style, plot, character and language.
Duration: 15 sessions of three hours.
Cost: $ 2,400.00
Hours: Saturday from 12:00 to 15:00 hrs.
Home: January 22

Contents:

* Action * Character * The plot

* Structural improvisation
* The improvisational style
* Terror, melodrama, romance and other styles . * Impro-language


The poetics of impro
(Laboratory of improvisation fourth cycle)
"experimental."

Objective: Recognize in the study of stage conventions and the literary tools that allow the actor improvising build long-form stories that explore the poetic possibilities of the improvised scene and language.
To: Students with previous experience in improvisation technique. It is not necessary to have participated previous cycles of this laboratory.
Duration: Permanent Laboratory
Cost: Monthly: $ 300.00
Hours: Monday 20:00 to 22:00 hrs.
Home: January 17

Contents:
1. The poetics of impro, introduction
2 The redefinition of space and scenic codes
2.1 Intent and intensity in improvisation.
2.2 The possibilities of fiction
3. Improvised literary language
3.1. Narrative and drama 3.2 Time and Narrative

3.3 Description and
Action 3.4.

character Reports: in apeironteatro@gmail.com / osfm@apeironmagazine.com or 55 74 14 18 or 044 55 15 83 78 39 with Oscar Flores.

Courses are held at "PLACE THEATRE APEIRON, Monterrey 319, Col. Roma Sur,
(Entre Av Baja California and Tepic. Metro Chilpancingo and Medical Center. Metrobus Chilpancingo.)


Pilar Villanueva.
degree in Acting from the National School of Dramatic Arts National Institute of Fine Arts (INBA) 1995-1999. Mention honor to graduate with a Bachelor in Dramatic Literature and Theatre at the Faculty of Philosophy and Letters at the Universidad Nacional Autonoma de Mexico (UNAM) 1995-2001. Currently preparing the thesis for the degree of Master of Arts (Comparative Literature) at UNAM. Award for Best Actress at the festival of Greek tragic theater of the Cultural Institute of the Federal District Government (2000). Actress award as 2004 by the APT. Best Young Actress of 2004 by the AMCT. Nominated by the Hellenic Cultural Center at the National Youth Award in the category of Arts in 2005. Is a fellow of FONCA 2009-2010. He has specialized in dramatic theory with the teacher and Technical Fernando Martinez Monroy Improv Theatre (Impro) with maestro Omar Argentino Galván plus additional studies of Technical Clown, Mask and choral singing. Assistant Professor in Dramatic Literature course at the University Theatre Center, and professor of the course text analysis in the career of dramatic literature and theater of the UNAM, Apeiron is the founder of Theatre (1997), an independent theater company under the direction Fernando Martinez Monroy with thirteen years of experience and builds to the scene a couple of academic and research project, in which the actress has given courses, workshops and consulting since 2004. He has published articles in the Unomásuno Saturday supplement in the journal Homo dramaticus (Spain) and the magazine Apeironmagazine Jack Step venture as well as internet radio host. General Coordinator of the First World Impro in English, Mexico DF (2004) has participated in over sixty performances in them has worked as actress, director, assistant director, educational consultant, and executive producer, including highlights, Volpone or Zorro, directed by Mauricio Jimenez, History improvise, Alejandro Calva address, address Enhumoradas Jesus Diaz, Sandra Félix address Dogs, Electra, certain things are figurations, La Ruta, The Secret Friend, Equinox, The treasure that no one has seen but everyone longs for and the one-man Improvisation Alone, directed by Fernando Martinez Monroy. Currently preparing the premiere of The thousand voices of the Dragon

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