Is It Normal For Grown Men To Have Wet Dream?

Contigo Apeiron and Forum Theatre ... America convened the course:

genres of drama as a result of organic development of the creative process.
Taught by: Fernando Martinez Monroy


"How could we know it again if you do not know what is important? How can we pretend to innovate if they ignore what the media? All innovation depends on what exists. The artists do not work to innovate but to rediscover, from elsewhere, what in the world, others lit before.

The characteristics of the individuals highlighted when they are related and were compared with individuals of the same species. The theory only concrete in the conscious practice of knowledge about the object. If the musicians, dancers, artists, singers, architects know to be educated and exercises to master the technique, why theater people claims that can dominate the scene from their ideas, without taking into account the nature of their profession?

Art is not an imposition but discovery. The actor, director and playwright have to learn to be free in the nature of his art. The creative freedom is achieved through knowledge. The artist is a lifelong student. The artist would not say never, "this does not work. If they have been great, we must look back at his work. We must all strive to our education." FMM

Under these assumptions, Fernando Martinez Monroy proposes the development of a course in which, briefly and intense, it raises an exercise of analysis and understanding about the constituent elements of drama, those who make them to the theater an art in itself, quite unlike any other, and whose main purpose is to reflect about life and act as powerful testimony to human existence that leaves traces Evergreen in each of their actions, like a stone falling into a lake, generating waves that spread in concentric echoes into infinity, transcending the boundaries of time and space.

This course is open to anyone interested in reflecting on and moved by the emotional observation, synthetic and deeper than the theater performs, offers an opportunity to discuss, question, review, monitor, reassess and resizing issues life and the theater lights in this space looks for evidence.


agenda.
INTRODUCTION: THE THEORY OF THE DRAMA.
I. THE FORMATION PROCESS mimicry and STYLE.

II. DEFINITION OF DRAMA
(Towards a definition of organic in a dynamic scheme)
2.1. Action (the process of action and its effect on the viewer)}
2.2. General levels of understanding.
2.3. Dialectical structure of the drama.

III. THE process of stylization.
3.1. The formation Style:
3.2. The meanings of the concept of Style:
3.3. General or Universal Styles:
3.3.1. The Realism.
3.3.2. Idealism.
3.3.3. The Grotesque.

IV. GENDER.
1. Definition.
2. Dramatic Gender: Towards a critical analysis.

V. GENDER OF REALISM.

VI. THE TRAGEDY.

VII. COMEDY.

VIII. PART.

IX. GENDER OF IDEALISM.

X. Melodrama.

XI. Tragicomedy.

XII. COMEDY COMEDY IDEALIST O HAPPY ENDING.

XIII. EDUCATIONAL WORK.

XIV. FARCE.

5 to July 28, 2010, Monday and Wednesday from 17:30

20:30 hours (8 sessions of 3 hours by adding 24 hours.)

COST: $ 1500. Information and registration
with Esteban Montes
044 55 29 39 17 92 / apeironteatro@gmail.com

Limited seating ** **


FORUM YOU ... AMERICA ARIZONA 156, COLONIA
NAPLES (Viaduct Between Rio Becerra and Pennsylvania.)

Special Promotion: Assisting
Genres Drama course, you can begin to attend the seminar Shakespeare from Shakespeare, (two times: Saturdays at 16:00 pm or Sunday 20:00 hours) and does not charge you register for the seminar, would pay only the monthly $ 250 pesos.