Disclaimer:
holiday due to start bridge courses
postponed to next week.
PILAR VILLANUEVA.
IMPRO FOR BEGINNERS.
The Impro: a series of techniques that consider improvisation as an end product in itself, an artistic result. The principle Acceptance of own and others' proposals. Achievement: develop imagination, creativity, trust, and playful attitude.
Objective: Recognize personal capacity to listen and accept proposals of their own and others, and with them build makeshift stage exercises, thereby developing creativity and playful attitude.
Target audience: General public
Duration: 12 sessions of 3 hours.
Cost: $ 1,800.00
Hours: Saturday from 9:00 to 12:00 hrs.
Home: September 18, 2010 / * New start date: September 25
Contents:
* Perception, listening and acceptance of proposals
* The creative imagination
* Decision confidence
* Action * elemental structure
drama * The construction of the fictional improvisation improvisation exercises
*
* general styles
Improvisation _________________________________________
IMPRO SECOND LEVEL.
The second level course is a way to broaden the knowledge of the art of improvisation deeply into the structures of improvised drama, style, plot, time management and play with language.
To: general public, students, actors, writers, musicians and dancers with previous experience impro technique.
Objective: Develop long improvisations based on the knowledge and handling of dramatic elements such as structure, style, plot, character and language.
Duration: 12 sessions of three hours.
Cost: $ 1,800.00
Hours: Friday from 19:00 to 22:00 hrs.
Home: September 24, 2010. / * New start date: August 1
Contents:
* Action * Character
* The Frame Structures improvisation
*
* The improvisational style
* Terror, melodrama, romance and other styles.
* Impro and language. ___________________________________________
POETRY OF IMPRO
( IMPROVISATION LAB
FOURTH CYCLE).
Objective: Recognize in the study of stage conventions and the literary tools to build improvisational actor long-form stories that explore the poetic possibilities of the improvised scene and language.
To: Students with previous experience in improvisation technique. It is not necessary to have participated in previous cycles of the laboratory.
Duration: Permanent Laboratory
Cost: Monthly: $ 250.00
Hours: Sunday 10:00 to 13:00.
Home: September 19, 2010. / * New start date: September 26
Contents:
1. The improvised poetic, introduction
2 The redefinition of space and scenic codes
2.1 Intent and intensity in improvisation.
2.2 The possibilities of fiction
3. Improvised literary language
3.1. Narrative and drama 3.2 Time and Narrative
3.3 Description and Action 3.4.
character Reports: in apeironteatro@gmail.com
or Pilar Villanueva 0445514910837 or 0445529391792
with Esteban Montes
PILAR VILLANUEVA.
degree in Acting from the National School of Dramatic Arts National Institute of Fine Arts (INBA) 1995-1999. Honorable mention to graduate with a degree in Dramatic Literature and Theatre at the Faculty of Philosophy and Letters at the Universidad Nacional Autonoma de Mexico (UNAM) 1995-2001. Currently preparing the thesis for the degree of Master of Arts (Comparative Literature) at UNAM. Award for Best Actress at the festival of Greek tragic theater of the Cultural Institute of the Federal District Government (2000). Actress award as 2004 by the APT. Best Young Actress of 2004 by the AMCT. Nominated by the Hellenic Cultural Center at the National Youth Award in the category of Arts in 2005. Is a fellow of FONCA 2009-2010.
He has specialized in dramatic theory with the teacher Fernando Martinez Monroy and Technical Theatre Improvisation (Impro) with maestro Omar Argentino Galván plus complementary technical studies Clown, Mask and choral singing. Assistant Professor in Dramatic Literature course at the University Theatre Center, and professor of the course text analysis in the career of dramatic literature and theater of the UNAM, Apeiron is the founder of Theatre (1997), an independent theater company under the direction Fernando Martinez Monroy with thirteen years of experience and builds to the scene a couple of academic and research project within the that the actress has given courses, workshops and consulting since 2004.
has published articles in the supplement Unomásuno Saturday in the journal Homo dramaticus (Spain) and the magazine Apeironmagazine Paso de Gato venture as well as internet radio host. General Coordinator of the First World Impro in English, Mexico DF (2004) has participated in over sixty performances in them has worked as actress, director, assistant director, educational consultant, and executive producer, including highlights, Volpone or Zorro, directed by Mauricio Jimenez, History improvise, address Alejandro Calva, Enhumoradas address Jesus Diaz, Sandra Félix address Dogs, Electra, certain things are figurations, La Ruta, The Secret Friend, Equinox, The treasure that no one has seen but everyone longs for and the one-man Improvisation Alone, directed by Fernando Martinez Monroy. Currently preparing the premiere of The thousand voices of the Dragon
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