Monday, September 1, 2008
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On August 30 "The House of Bernarda Alba" was fired VARIETY CONCERT THEATRE (Av. Corrientes 1218)
We thank all the people who shared with us this wonderful classic story of the famous English writer Federico Garcia Lorca. Simply
: an experience not to be erased from our minds ...
thank the public who came to see the play.
appreciate the criticisms that we have done because without them we do not grow.
BIG thank our producer for trusting us and for everything you did for this work is presented.
We want to thank everyone who helped and were part of this dream: Fernando
and children, Marcelo V, and Hernan Jorge, Leonardo, Juan P, Lucas, Flia. Paladino, Marco, Lito, Nacho, Ezekiel, Adriana, Sandra A, Jorge and all those who gave their valuable assistance.
soon come the itinerant with some changes ...
UNCONDITIONAL look forward to your company, as they have done during these three months in the Calle Corrientes.
AGAIN:
THANKS!.
DIRECTOR, ASSISTANT AND CAST OF:
"The House of Bernarda Alba" (Season 2008)
Monday, June 23, 2008
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Wednesday June 18, 2008
THEATER The House of Bernarda Alba
A version of the work, the great English writer
From Saturday June 7, locals have the opportunity to see a renewed version of Federico García Lorca's classic "La Casa de Bernarda Alba."
The play, written in 1936, tells the story of a woman that her husband's death, mourning decreed a number of years during which she and her daughters confined at home, leaving him just to go to church or shopping.
The story is based on a true story and that Garcia Lorca was a neighbor of a family that lived this situation and is starting to look at the window of the house of the writer, who weaves this plot of semificción where a real and objective, easily found just by watching it gives rise to a set of subjective experiences of the imagination of the author.
In this staging the alternate director just the looks, the objective and subjective, from mobile scenery where you play with what happens inside the house and what is seen from the abroad.
The director also includes a character, a dancer embodies the passion underlying the original work tacitly and in this staging has the body and gives life to conflicts.
La Casa de Bernarda Alba with direction and staging of Juan Manuel Sodorini has a unique role on Saturdays at 20:30 pm at the Theatre Variety Concert on Avenida Corrientes 1218. MIGUEL
CHIRICO - newspaper Clarin.
Wednesday, June 18, 2008
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LES INTRODUCING THE THEME SONG OF THE WORK.
"DAMN HOUSE"
Author and Performer: Adriana Alvarez
for the play: "The House of Bernarda Alba"
Ours began as something forbidden
your kisses awoke my heart stayed
alas, poor wanted to destroy our love
damn that house and those who envied
what we have experienced ...
The fire that burns me
consumes my life ... I do not want to control the fire
Wreck of the passions we
Handful finished ... ash
your body next to mine can not separate ...
caresses beautiful
If you covered my body
if my thirst in this great wilderness
if you made me feel
unknown by me
abandon that
not you take me to die with you?
The fire that burns me
consume my life I do not want to control ... Sunk at the stake
of passions
we finish ...
handful of ashes
your body next to mine can not separate ...
gray in this town where the air is so dry
death no matter if we
leads to hell. My crown of thorns
I will bleed the body, but again
to face the world and overcome fear.
The fire that burns me
consumes my life ... I do not want to control the fire
Sunk in the end we
passions ...
handful of ashes
your body next to mine
can not separate them ... Beyond
life
together forever love you free ...
LET THEM BELOW THE THEME SONG, PERFORMED BY THE AUTHOR, FOR YOU MAY HEAR:
HOPE YOUR COMMENTS!
Thanks!
Sunday, June 15, 2008
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On Saturday, June 14, the program Marcelo Polino: "Call it the Firm" (America TV), commented and recommended our show ...
Here we leave the video of the note that was sent that day:
thank Marcelo Polino program and Juan Pablo Sauvage for providing this video
We take this opportunity to thank you for all the comments that have left us and we hope many more ...
To leave your comments, greetings, criticism, etc, you must click on the end of this note where it says in small print: "REMARKS." Thank you very much!
Wednesday, June 11, 2008
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This section of the site is dedicated to the public for us to leave their messages of love, criticism, comments, greetings, etc.
only should click at the end of this note that says: "COMMENTS"
Thanks!
Wednesday, May 7, 2008
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Bernarda Alba
FEDERICO GARCIA LORCA
WITH: Lilian
Fittipaldi - Carmen Mastroberti - Lidia Pampin - Andrea Ruiz - Lelia Bazán - Trinidad Giachino - Giselle Fernandez - Alejandro Brol - Sandra Avendaño - Adriana Alvarez - Mariana Favieri - Yanina Gruden - Rocio Vazquez - Dora Cerutti.
Assistant Director:
YANINA Gruden
General Production: FERNANDO
MAN
General Management and Staging:
SODORINI
JUAN MANUEL
Functions:
Saturday - 20:30 hours
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www.lacasadebernardaalba-teatro.blogspot.com
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BERNARDA ALBA
A Work From
FEDERICO GARCIA LORCA
Fittipaldi - Carmen Mastroberti - Lidia Pampin - Andrea Ruiz - Lelia Bazán - Trinidad Giachino - Giselle Fernandez - Alejandro Brol - Sandra Avendaño - Adriana Alvarez - Mariana Favieri - Yanina Gruden - Rocio Vazquez - Dora Cerutti.
YANINA Gruden
Set design:
General Production: FERNANDO
MAN
General Management and Staging: JUAN MANUEL
SODORINI
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"La Casa de Bernarda Alba"
The eldest daughter, born from his first marriage Frasquita was ugly and rich. Attracted by her dowry, Pepe de la Romilla, the cutest boy Asquerosa, asked her to marry and was allowed to speak of love to the bars of the window. Once this duty done, met in the darkness of night, the younger sister, Adela, as appealing as no money.
This story went to Frederick, and for the people, a delight. The house of his father was in front of the house of Alba. As the poet arrived was the attraction of Foul, both daughters of Frasquita as for the other, and nothing much fun seeing, as he passed, how almost imperceptibly moving windows and watching inmates. We also had fun singing and dressed in blue pajamas sitting in the doorway, accompanied by the guitar:
Asómense the window!
not look through the cracks!
Marcelle Auclair.
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Tuesday, May 6, 2008
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CREATIVE STAFF:
English poet and playwright, is a national writer of this most famous of the twentieth century and one of the supreme artists. His murder in the first days of the English Civil War made him a particularly notable victim of the Franco regime, which contributed to know his work. However, sixty years after the crime, its valuation and its universal prestige permanenecen unchanged. Born in Fuente Vaqueros (Granada), within a well off family economic status. High school and studied music in his hometown and, between 1919 and 1928, lived in the Residencia de Estudiantes, Madrid, an important center of cultural exchange where he befriended the painter Salvador Dalí, filmmaker Luis Bunuel and poet Rafael Alberti also, among others, who wowed with her many talents. New York and traveled to Cuba in 1929-30. He returned to Spain and wrote plays that made him famous. He was director of La Barraca university theater, speaker, songwriter and had great success in Argentina and Uruguay, countries that went in 1933-34.Sus first poems were collected in book of poems, 1921, an anthology that has great achievements. Organized in 1922 with the composer Manuel de Falla, the first festival of cante flamenco, and that same year he wrote precisely the Poema del cante flamenco, though not published until 1931. Prime Gypsy Ballads, 1928, is a great example of poetry composed from popular materials, and offers a mythical Andalusia through a dazzling metaphors and symbols like the moon, the colors, horses, water, or fish, intended to convey feelings where love and death stand out strongly. After the Poems in Prose, New York wrote in a prophetic and metaphysical great cycle in which the author is committed to the oppressed, while bringing out their obsessions intimate. The cycle would consist of two books, Poet in New York, written between 1929 and 1930 but not published until 1940, and Earth and Moon, from which the poems were included in Divan del Tamarit, completed in 1934, although it was published posthumously. Qualified many times surreal, the poems of this key work of García Lorca's Poet in New York, expressed horror at the lack of natural roots, the absence of a unifying myth or a collective dream that give meaning to an impersonal society , violent and torn. For its part, the incomplete Sonnets of Dark Love, written during a season in New England (U.S.), expressing a personal desperation and are a wonderful samples eroticism, that have only recently been released. Another important poem of Lorca, in the line of populism, is the Lament for Ignacio Sánchez Mejías, 1935, an elegy composed on the death of the bullfighter intellectual, friend of many of the poets of the generation of Lorca. While Six Galician poems, the same year, they manage to transcend the obvious popular references. Lorca's theater is next to Valle-Inclan, the most important written in Castilian in the twentieth century. This is a scene of a very wide range with fantastic characters as symbols or death and the Moon, lyrical, sometimes with a deep sense of the forces of nature and life. Among his farces, written from 1921 to 1928, highlights of Don Cristóbal Tragicomedy of Don Cristobal and Puppet, puppet parts, and especially The Shoemaker's Prodigious Wife, a work of Andalusian facing reality and imagination. It also belongs to the category of farce The Love of Don Perlimplín Belisa in his garden. Between 1930 and 1931 are classified as "unrepresentable dramas," The public and So spend five years, works complex influence of psychoanalysis, who stage the same act play, the revolution and homosexuality from a complex system correlation. Two are rural tragedies Bodas de sangre, 1933, and Yerma, 1934, which combine mythology poetic worlds and reality. In Dona Rosita the Spinster, 1935, addresses the problem of the English maid, which also appears in The House of Bernarda Alba, completed in June 1936, and that criticism is often considered the seminal work of Lorca. Early in his career had also written two modernist dramas, The Curse of the Butterfly (1920), Mariana Pineda (1927). The world of García Lorca is a creative capacity, powers of synthesis and natural ability to capture, express and combine the greatest amount of poetic resonance, without apparent effort, and reach perfection, not as a result of a technique achieved with effort, but almost at once. The variety of shapes and shades is dazzling, with love, presented in a cosmic sense pansexualist, infertility, childhood and death as primary reasons. Their positions fascist and his fame became a fatal victim of the Civil War, in Granada, where he was shot.
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CREATIVE STAFF:
Studies : Race Course "Actor and Director of Performing Arts" in Film Research Center (CIC). Nelly theater Canell POSCO. Paul Corti theater. Musical Comedy with Rubén Alexander Roberts and Levin. Teatro with Claudio Martinez Bel. Body Training with Viviana Iasparra. Seminar Theatre with Lito Cruz. Hugo Midon theater at the Cultural Center's Teatro San Martín. Guillermo Flores theater. Body Training with David Lady. Performance Against Monica Gazpio cameras. Analysis of theatrical texts Sagaseta Julia Elena. Martin Goycoechea theater. Direction and staging with Bernardo Cappa. Bernardo Cappa theater. Lighting Design Gonzalo Córdoba. Action against Victor cameras Bruno. Set and Costume Workshop with Silvia Bonel. Art Direction Bonel Silvia. Sound Design with Gabriel Paiuk. Show Production Design Carlos Tkizian. Singing and Voice Education Lesgart Ruben. Some of his works: As Actor: "Seven Screams at Sea," "Our Natacha", "Tango Rock, Seven Encounters with Sin," "Unfinished Symphony", "The Ten officers," "Follies in the West "," No Suicide in Spring "," Entierrasepia "," Fallen Grace. " Actor and director: "The Third Word" "The Bread of Madness," "La Dama del Alba", "Seven Screams at Sea." With the "Co. Musical Theatre: "Les Miserables", "Dracula, the Musical." As Director: "Venice", "The poisoner of the Lake House," "Pocahontas", "La Casa de Bernarda Alba", "Mi Cristo Roto." With the "Co. Musical Theatre: "Sleeping Beauty", "Beauty and the Beast," "Snow White. A New Musical "" The Hunchback of Notre Dame "," Great Music "," Musical Evening "," Musical Fantasy " "Broadway Show." Currently
General and Artistic Director of the Academy of Musical Comedy "Musical Theatre Company ( www.teatro-musical.com ) which also is a professor of theater. He is Professor of Theatre in Secondary School "Calasancio Instituto Divina Pastora" and a Theatre Workshop in the "Circle Miñor Valley Recreation.
Awards and Honors: was awarded the Noble Foundation, ADEEPRA and CAIEP by the Office of the book "The Ten officers" in the National Theatre Olympics. He was awarded a National Deputy in the Café The 36 Pool "by the Office of the book" The Ten officers. " He was honored by the Legislature of the Autonomous City of Buenos Aires for the work done in the "Musical Theatre Company"
Personal Blog: http://juanmanuelsodorini.blogspot.com/
Monday, May 5, 2008
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STAFF CREATIVE:
ASSISTANT MANAGING
Actress
Education: Theatre: School aesthetics of Morón, House Culture Haedo, open space with Roxana Randon, Seminar drama works (open space), Teatro read with Guillermo de Lorenzo, Seminar with Alejandro Catalán, Universidad del Salvador (Race Drama), Julio Baccaro Performance, Performance II Eduardo Pavelick and Lorena Vega, Gabriela Clown with Biebel, Natalia Morel Jazz Dance, Body Training (Universidad del Salvador) with Gabriela Romero, Popular Song Lyric and Laura Llionelli, Acrobatics (Circo Videla), Acrobatics on fabrics in the Cultural Center "The Transformer. " Some of his works: "Pinocchio and Snow White, they look magical balloons", "COLD" (group LVDM) Business: Supermarkets NORTH. "
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CREATIVE STAFF:
COSTUME DESIGN AND CREATION OF
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CREATIVE STAFF:
SCENIC DESIGN AND IMPLEMENTATION OF
Sets Plastic artist and
Theatre Education: Bachelor of Fine Arts "Rogelio Yrurtia "Teaching Art. Currently studying the Bachelor in Visual Arts at IUNA scenic guidance. Musical Comedy Studio at the Academy of "Musical Theater Company, directed by Juan Manuel Sodorini. Currently studying at School of Julio Bocca. Some of his works: Assistant Plastic Workshop held during the exhibition mega Raul Soldi. Flag Design and Implementation of Alumni Travel, Clubs and Events. Horneros assembly in the Houston Museum on the outskirts of the city to the artist Sophie AltaVista. Design, Implementation and scenography of musical child's play: "Pocahontas" in the Divina Pastora Calasancio Inst. Making Caps for the parade made for "The Night of the Museums." Implementation and Installation of Events: Work Closing Party - Event Secretaries in the Hotel Aspen. Making and Decorating Birthday party halls for fifteen, Links, Business and Social Events. Construction assembly and display for the work of Cecilia Propato "La-45. I will not mourn, that's because I'm tired "at the Teatro Del Nudo.
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MARTIRIO
Education: (1996-1998) Theatre - Studio Theatre Integral - Alma Vélez and Juan Carlos Thorry with Alma Velez Theatre - San Martín Cultural Center Fernando Sureda, Theatre with training in body language, Cultural Centre Studio Theatre Enrique Santos Discépolo with Damian Rios, Contemporary Dance, Modern Dance with Daniela Skate, Theatre - San Martín Cultural Center Ricardo Oliveira Lake. Some of his works: "soup", "The son, "What says the grandfather, Holy Word," "Essence," "The House of Bernarda Alba," "The Letter", "The Other Side of Light", "Health of the Sick" (adaptation ), "Fidelio." Movies: "Erzebet" (Feature), "The sky elected" (film). Dance: Festival of the Conservatory "Art" Participation in "Gymdance tour." Commercial: (Mexico) Product "Barcel.
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